Sunday, October 22, 2006
Thursday, October 19, 2006
Thumb Piano Eight
I guess this is where I try to use up all the scrap pieces of wood and other interesting bits of metal. I do enjoy building them, and always bring them out to recordings and jams. It
also gives me something to do when I’m waiting for the glue, paint, and varnish to dry on some of the bigger pieces, which in turn helps to keep the creative juices flowing. This one is made from rake tines, but I’m starting to run out of them. I think I may have to try an all aluminum one next.
Wednesday, October 18, 2006
Monday, October 02, 2006
My First Gong
Ha. I just hammered out my first gong/symbol. I have been putting off trying to do this for years now, but let
me just say it’s a lot easier then I thought it would be. In total I spent about an hour bashing away at it. When I say bashing I mean controlled wailing. It was some kind of crazy aluminum metal mix but I’m not entirely sure, and I’m only guessing at that do to its somewhat pliable nature.
It fit perfectly on top of an old disk break I have; they’re great when using them as the base for stands. The one side was for the larger circle, and the other was for the smaller one in the center. This will defiantly be added to my regular list of junk items that are gold.1 comments:
Mike Whitla said...
How does this sound iner?
Is it a specific pitch or just a bunch of overtones?
Tuesday, September 26, 2006
Metal Hand Drum
Well after much waiting, my good friend Jeremy finally sent me a photo of this instrument I had built some time ago. This is one of the many remnants from my past, when I was not so good at documenting my sculptures or paintings. Oh the pieces I’ve lost to laziness and indifference. It’s a good thing that we jam together on a weekly basis or this one may have been lost forever.
The face of the instrument is a chicken cooker. Back then I was trying to find ways to put those things into any and every piece I was working on. I have since refined that process. I must say as far as metal percussive instruments I have built, this one has to be the least offensive. I placed a contact mic right in the center of the plate, so as you play outward from the middle the tone and volume change. To add to that effect I added tone and volume knobs, and I find that playing this instrument with your fingers gives the best results. The large rectangular object that sweeps out from the side was part of the amplification system out of an old gramophone that was beyond repair. All of it pieces found a good home and a new life still within the music industry.
The bass is part of a disk brake system; I find these in front of my local garage all the time. They are nice and heavy and keep the instrument from bouncing around to much. The pole on which this instrument is attached is from an old salon hairdryer, so it has the option of pivoting back and forth to suit one’s playable comforts.
With the contact mic right in the center on the face plate one is able to place other objects on this instrument, in order to amplify them. I once rocked out for 40 minutes with a thump piano, a bow, and a brass bell using this technique. And yes you can rock out with a thumb piano.
Saturday, September 23, 2006
Hydrofridge-a-phone

Refrigerator grates now have made it into six of the last eight instruments I have built. I still feel like I have not yet captured the soul of my fridge yet. There are some things that man should just never understand.
This one is a bit different in that I turned what has been a recent problem of things leaking in my fridge into an artistic solution where I just add water before hand. That’s right, this new one needs water to reach its full potential. This isn’t my first attempt at water based instruments and probably won’t be my last. The first was the Water Fisher Tube which worked out alright, but never really saw the light of day. I built it and immediately hung it in a bar. The second was
the Round Bowed String Thing. Which saw a bit more action. It has traveled around in different art shows, been used live on stage, and is in the process of being recorded for an album (or something similar to whatever a group recording noises of experimental instruments can be). The Hydrofridge-a-phone
is just an evolutionary process of building. All my contact points are sealed with water resistant silicon, the chamber of the instrument is free of obstructions, and for this one I had the foresight to add an air hole for easy draining. I’m guessing it holds about 120 ounces of liquid, but really I think about twenty to thirty ounces might be enough to do the trick. What trick you ask? It’s
the trick of messing with the pitch of the instrument; you can add as little or as much as you like, though I suspect there is probably a cutoff point. Once you have added the water, start bowing the refrigerator tines. As you do this just slowly turn the instrument on an angle, swishing around the water inside. If all goes well you will start to hear the pitch of the tines start to bend slightly.
The best example I can think of where this technique is used to its fullest potential would be an instrument designed by Richard Waters called the Waterphone. Not only is it quite lovely to look at, but it is also a beautiful sounding instrument.
Maybe one day I too can have an
instrument I’ve designed be named after me. Inerphone is too obvious, but how about the Inertar, no wait I think I’ll call it the Inerimbau, or the Ineriano. Yeah, these are all stating to sound great; I think I’ve spent too much time out of the spaceroom.
Time to recompress.
Iner out.
Sunday, September 17, 2006
Fat Thumbs Piano
I still feel that I have yet to really rap my head around the true potential of the thumb piano, but I feel confident that day will soon come.
3 comments:
Saturday, September 16, 2006
Little Tiny Things from the Fridge
Once again the fridge grates have taken over, slowly I think my obsessions have moved from chicken cookers and metal salad bowls over to refrigerator grates. I may have to start a whole subsection for this category. This piece is part of the Excess Space Baggage series, which you can learn more about in the next few blog entries.
1 comments:
Friday, September 15, 2006
Alien Bell Monster Two
I liked the first Alien Bell Monster so much that I had to build a second. This is by far the dirtier and more dangerous of the bell monsters, but it had to be done. It would seem that for the past few weeks I have been going through the spaceship in search of wild and weird parts that just don’t seem to fit anywhere else. Once I find them I make all those odd balls fit together whether they like it or not. So the next four posts will be of just that. I think I will call them Excess Space Baggage
I’m looking forward to recording this beast and then fining it a proper home.
Some things you will find on the second
bell monster are a kids bicycle bell, a sink drain, two carburetor caps, a refrigerator grate, a tea kettle, two metal salad bowls, a circler saw blade, some weird metal disks I found on an old Japanese massager, a little tiny kids cymbal, plus a bunch of other various metal parts.
Thursday, June 29, 2006
The Bell Tower of Babel
After having such a sonic reward from building the Alien Bell Monster I decided to expand on the idea a little. Basically I added a bunch more bells, which aren’t really bells. There are soap dishes, serving bowls, metal cups, little trinkets I find in the neighborhood, and OK maybe a couple of bells. The tower stands at a whopping 130 cm or for all my friends south of the boarder 51 inches. There are 21 bell like objects mounted up the pole at varying heights and placements. I tried to
set them into groups of three or four that sounded good together. Also attached to the pole is a spring that runs almost the full length of the piece, and one tunable piano string. The bass of the instrument is a disk from a breaking system of some body’s car. Who’s car? I have no idea.
Wednesday, June 28, 2006
Things From the Fridge 3 Strings and Things
My Oblique Strategy for the Things from the Fridge 3 Strings and Things was You are an Engineer
Oddly enough the same card came up for the Things from the Fridge 2. It was at that point that I decided to remove the cards from the deck after they had been chosen.
Tuesday, June 27, 2006
Monday, June 26, 2006
Hail Mary Full of Grace Rebuild

The title says it all. I wasn’t really happy with the direction this instrument was going so I decided to add a few different features to it. The most obvious of that being the similarities to the two slide stringed instruments I have
recently built. You can just scroll down a little to see some images of them. If you would like to see the original version of this instrument just click here.I am still hoping that I won’t go to hell for cutting up these rosary beads.
Sunday, June 25, 2006
Saturday, June 24, 2006
Friday, June 23, 2006
Little Tongue Drum One

Sometimes I fell like I post any and everything I do. That’s not true. I built this instrument some time ago, and kind of just lost track of it. There are a few out there like that.
A very simple instrument to build that is easy and fun to play. You can suck as bad as I do, and still be able to pull this one off. It would be nice to have a bunch of these with different tunings.
Thursday, June 22, 2006
Wednesday, June 21, 2006
Thumb Piano Five
Tuesday, June 20, 2006
The Percussive Computer Panel
I don’t know if I should put this on my experimental instrument page or my lost in time and space page.
This is part of my spaceship, the percussive part of my spaceship.
As I’m writing this it has occurred to me that the spaceship could in fact be the largest experimental instrument I have built to date.
As you can see there are many different things you can play on this panel. Some of the things include, saw blades, refrigerator grates, and numerous springs.
This entire box is built on hinges so you can open or close them to get different levels of sound. The box not only acts as a resonator, but it also holds all my painting gear, tools odd electronic things that must be destroyed, and some 8mm video cassettes from my misspent youth.
It’s practical, playable, and occasionally
projects me into outer
space.
Monday, June 19, 2006
Alien Bell Monster
The Alien Bell Monster is constructed out of phone bells, a tea kettle, some weird brass candy dish poached egg holders, metal goblets, and a brass cup. Just Click on the link below to hear a wee tiny bit the Alien Bell Monster
Alien Bell Monster with multitap delay.wav









I have a double bridge thumb piano made with a gourd. There is a hole in each side (3 total; those two and the sound hole under the tines) that allow you to put your fingers there and if you continually touch the hole and move away from it you get a really fun vibrato sound.
I'll upload it to one of my sites and send you the link to it; my description may not be all too great.
Happy Tuesday!
--Matt.
that would be cool Matt thanks
What are the tines on this one?
--
Relating to what Matt said - I once had a thumb piano with similar holes in the side that was fun to play by covering up one of the side holes and putting the other one up to your mouth so you could use your mouth/vocal cavity to shape the resonance, jawharp style..