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When one has a ballcock and a few ball bearings lying around, one should make a shaker.
I was one of those ones and I did make a shaker, but the Brian Poirier broke it. Bastard.
A few comments I liked mostly because Dave is sweat talking me.
I would have to say that to date I still feel the first tongue drum I built was the best out of the three. This one is close, and by far better than Tongue Drum Two the Adventures in Naughty Pine. For this one I used a different type of wood which was great. All the sites I have been to suggest using a harder wood then soft. I think that’s why number two sounded so flat and boring. I don’t actually know what kind of wood this is that I was using; it was just something I found at one of my local second
hand shops. These were part of a four box set of containers one might find in a kitchen from the seventies. Coffee and flour were once the jobs of these two boxes, and now a whole world of noise awaits them. Of course I
had to add on the fridge grate bit. I think I will look back on the year Two Thousand and Six as the year of the refrigerator grate. Those two little sticks with the knobs on the tops are the sticks one would use to beat this instrument down.
Here are some comments that were left for this instrument.
Aww, this one looks sweet. Wait, they all look sweet. You must add mp3 files.
yeah some mp3 files of these cool instruments/creations would help put them into perspective a bit
Here are some comments that were left for this instrument.
try try again... I actually bought one of these readymadespoonsets for my arthritic Grampa who can no longer hold two regular spoons to rattle on anymore. It was cool, and yours look way nicer. (Sam with the Cameron family is a killer spooner... and have you seen his slinky instrument? I bet you guys compare notes :)
I guess this is where I try to use up all the scrap pieces of wood and other interesting bits of metal. I do enjoy building them, and always bring them out to recordings and jams. It also gives me something to do when I’m waiting for the glue, paint, and varnish to dry on some of the bigger pieces, which in turn helps to keep the creative juices flowing. This one is made from rake tines, but I’m starting to run out of them. I think I may have to try an all aluminum one next.
Well after much waiting, my good friend Jeremy finally sent me a photo of this instrument I had built some time ago. This is one of the many remnants from my past, when I was not so good at documenting my sculptures or paintings. Oh the pieces I’ve lost to laziness and indifference. It’s a good thing that we jam together on a weekly basis or this one may have been lost forever.
The face of the instrument is a chicken cooker. Back then I was trying to find ways to put those things into any and every piece I was working on. I have since refined that process. I must say as far as metal percussive instruments I have built, this one has to be the least offensive. I placed a contact mic right in the center of the plate, so as you play outward from the middle the tone and volume change. To add to that effect I added tone and volume knobs, and I find that playing this instrument with your fingers gives the best results. The large rectangular object that sweeps out from the side was part of the amplification system out of an old gramophone that was beyond repair. All of it pieces found a good home and a new life still within the music industry.
The bass is part of a disk brake system; I find these in front of my local garage all the time. They are nice and heavy and keep the instrument from bouncing around to much. The pole on which this instrument is attached is from an old salon hairdryer, so it has the option of pivoting back and forth to suit one’s playable comforts.
With the contact mic right in the center on the face plate one is able to place other objects on this instrument, in order to amplify them. I once rocked out for 40 minutes with a thump piano, a bow, and a brass bell using this technique. And yes you can rock out with a thumb piano.
Refrigerator grates now have made it into six of the last eight instruments I have built. I still feel like I have not yet captured the soul of my fridge yet. There are some things that man should just never understand.
This one is a bit different in that I turned what has been a recent problem of things leaking in my fridge into an artistic solution where I just add water before hand. That’s right, this new one needs water to reach its full potential. This isn’t my first attempt at water based instruments and probably won’t be my last. The first was the Water Fisher Tube which worked out alright, but never really saw the light of day. I built it and immediately hung it in a bar. The second was the Round Bowed String Thing. Which saw a bit more action. It has traveled around in different art shows, been used live on stage, and is in the process of being recorded for an album (or something similar to whatever a group recording noises of experimental instruments can be). The Hydrofridge-a-phone
is just an evolutionary process of building. All my contact points are sealed with water resistant silicon, the chamber of the instrument is free of obstructions, and for this one I had the foresight to add an air hole for easy draining. I’m guessing it holds about 120 ounces of liquid, but really I think about twenty to thirty ounces might be enough to do the trick. What trick you ask? It’s the trick of messing with the pitch of the instrument; you can add as little or as much as you like, though I suspect there is probably a cutoff point. Once you have added the water, start bowing the refrigerator tines. As you do this just slowly turn the instrument on an angle, swishing around the water inside. If all goes well you will start to hear the pitch of the tines start to bend slightly.
The best example I can think of where this technique is used to its fullest potential would be an instrument designed by Richard Waters called the Waterphone. Not only is it quite lovely to look at, but it is also a beautiful sounding instrument.
Maybe one day I too can have an instrument I’ve designed be named after me. Inerphone is too obvious, but how about the Inertar, no wait I think I’ll call it the Inerimbau, or the Ineriano. Yeah, these are all stating to sound great; I think I’ve spent too much time out of the spaceroom.
Time to recompress.
Iner out.
I still feel that I have yet to really rap my head around the true potential of the thumb piano, but I feel confident that day will soon come.
I have a double bridge thumb piano made with a gourd. There is a hole in each side (3 total; those two and the sound hole under the tines) that allow you to put your fingers there and if you continually touch the hole and move away from it you get a really fun vibrato sound.
I'll upload it to one of my sites and send you the link to it; my description may not be all too great.
Happy Tuesday!
--Matt.
that would be cool Matt thanks
What are the tines on this one?
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Relating to what Matt said - I once had a thumb piano with similar holes in the side that was fun to play by covering up one of the side holes and putting the other one up to your mouth so you could use your mouth/vocal cavity to shape the resonance, jawharp style..
This piece is part of the Excess Space Baggage series, which you can learn more about in the next few blog entries.
It would seem that for the past few weeks I have been going through the spaceship in search of wild and weird parts that just don’t seem to fit anywhere else. Once I find them I make all those odd balls fit together whether they like it or not. So the next four posts will be of just that. I think I will call them Excess Space Baggage
I’m looking forward to recording this beast and then fining it a proper home.
Some things you will find on the second bell monster are a kids bicycle bell, a sink drain, two carburetor caps, a refrigerator grate, a tea kettle, two metal salad bowls, a circler saw blade, some weird metal disks I found on an old Japanese massager, a little tiny kids cymbal, plus a bunch of other various metal parts.
The tower stands at a whopping 130 cm or for all my friends south of the boarder 51 inches. There are 21 bell like objects mounted up the pole at varying heights and placements. I tried to set them into groups of three or four that sounded good together. Also attached to the pole is a spring that runs almost the full length of the piece, and one tunable piano string. The bass of the instrument is a disk from a breaking system of some body’s car. Who’s car? I have no idea.
My Oblique Strategy for the Things from the Fridge 3 Strings and Things was You are an Engineer
Oddly enough the same card came up for the Things from the Fridge 2. It was at that point that I decided to remove the cards from the deck after they had been chosen.
I am still hoping that I won’t go to hell for cutting up these rosary beads.
Sometimes I fell like I post any and everything I do. That’s not true. I built this instrument some time ago, and kind of just lost track of it. There are a few out there like that.
A very simple instrument to build that is easy and fun to play. You can suck as bad as I do, and still be able to pull this one off. It would be nice to have a bunch of these with different tunings.
This is all the percussive instruments I have built over the past few years. Over time I hope to start working with more traditional materials in a very untraditional way. Pretty much anything you can bang on will end up on this page.
This is all the percussive instruments I have built over the past few years. Over time I hope to start working with more traditional materials in a very untraditional way. Pretty much anything you can bang on will end up on this page.
That's just "plumb" perfect. WAY too cool. Your instruments kill me-- they're so elegant and simple-- I'm always saying "how the heck did I NOT think of THAT?"
Inspirational! --DaveX
hey Dave thanks fer dropping by